“You Can See Everything” has become the talk of the town without giving away any spoilers. The documentary, focusing on the controversial figure Elizabeth Holmes, attracted a significant audience during its opening weekend, generating over $15 million in ticket sales. This marked the second-highest debut for a non-musical documentary in the domestic box office, following 2004’s “Fahrenheit 9/11.” Despite only being shown in 855 theaters across Canada and the U.S., the film received rave reviews, initially scoring a remarkable 99% on Rotten Tomatoes and a 4.8 on Letterboxd.
The movie’s plot is straightforward, following a film crew, led by directors Nathan Fielder and Lance Oppenheim, as they capture the last 34 days of Holmes’ life before she begins serving a prison sentence for fraud. Viewers were captivated by the documentary’s immersive experience, with audiences leaning in, gasping, and applauding throughout the screening.
Critics and viewers praised the intense and uncomfortable interviews conducted by Fielder, known for his unique approach to storytelling. With A24 as the distributor and producer, the film adds to the company’s successful lineup of acclaimed movies. The documentary’s thought-provoking narrative challenges viewers’ perceptions of truth and reality, leaving them with lingering questions and discussions long after leaving the theater.
Teri Hart, a Toronto film critic, commended the film for its ability to spark conversations and engage audiences in a shared experience. She emphasized the film’s ability to provoke thought and inspire dialogue among viewers, highlighting the importance of such cinematic experiences in today’s entertainment landscape.